sway the vote

“It’s an eyesore, a blight on our city, which not many of our citizens enjoy,” said an older council member who’d received a handful of complaints from his affluent neighbors. “Therefore, I propose we keep allocating funds to get rid of it.” A few of his younger colleagues knew that it drew people to the city and gave it an authentic and inimitable character. They disagreed with him, but there were too few of them to sway the vote.

And, so, New York City joined a thousand other municipalities across the United States and fitted out squads of workers with paint rollers and long-handled scrapers. They loosed the workers on up-and-coming parts of town, giving them license to paint over, deface, scrape off, and otherwise remove the vast collections of street art that had theretofore covered otherwise blank and underutilized street poles. The workers attacked ten thousand and one unique examples of cunning artistic expression deemed mere trash by a group of disconnected bureaucrats who cared not for the creative potency of Big Apple denizens.

The workers scraped and sprayed and rollered, destroying countless pieces of the city’s unique cultural heritage. Adding insult to injury, the city council had not even had the decency, poise, or foresight to at least take pictures of said priceless works of art before having them trashed. In the wake of the art desecration squads, the city lay bare, raped of its color, efficiently monetized, franchised, and sterilized for the benefit of profits-hungry corporations. New York City’s street-side art museums are dying at the hands of her elected officials, and the world is a less beautiful place for it.

americanifesto / 場黑麥 / jpr / urbanartopia / whorphan