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23 June 2011

on girls in movies

  Some time ago I was discussing,  with a close associate, the film Kick Ass. He had expressed his concern about the scene in which the character named Hitgirl is beaten unconscious by the movie's main antagonist. He had said something to the tune of, "If it's now ok to have little girls getting the shit kicked out of them, then, in films releasing in the future, it will be ok for all little girls to get the shit kicked out of them, and we will likely be seeing a lot more of it." At first, I found this comment funny, and made as if to laugh along with the joke. Soon, however, I realized that my counterpart was serious, that he had a problem seeing a fictional scene depicting a fictional young woman locked in choreographed combat with a fictional villain. I do not condone violence toward children; I have (and will in the future) personally intervened in situations in which I witnessed children at risk of physical harm so as to protect them (even if only briefly). (Side note: if you are smoking while children are in your car or in your home, or smoking anywhere near children, you are causing harm to those children, and you are an asshole.)
  Then, last night, I watched Leon the Professional, a film directed by Luc Besson, starring Jean Reno and Natalie Portman, in which in one scene the protagonist, a pubescent girl, holds a gun to her head and narrowly avoids blowing out her brains. After watching that scene, I realized that this scene was the origin of all the depictions in recent Hollywood blockbusters of young women holding guns to their heads and trying to blow out their brains. In nearly every movie since Leon the Professional came out, over the past couple of decades, at least one young actress has held a gun to her head and threatened to cap herself if not given the love or the attention or the breakfast cereal she felt she deserved. It has, as we all know, become a hallmark of modern cinema to depict young women playing Hanoi roulette, one chamber empty and the other five full, the metal flashing as they spun their pistols shut and thrust the business end dramatically to their temples.
  After having re-watched Leon, I now agree: we cannot allow the continued portrayal of young women who are willing to put their lives on the line for something in which they believe, or who have the courage to go up against great and tremendous odds in order to protect their friends or to avenge the murder of a loved one (for this might encourage our women-folk to take action, to challenge the strictures of our paternalistic society and win for themselves an equal station in the workplace and in the home). Also, we cannot trust that movie-makers or movie-goers will be able to differentiate between fact and fiction.
  For to allow one movie to show a young woman taking action in the face of adversity, to depict one girl demanding the swift and merciful execution of justice, is to invite chaos into our homes, into our hearts, and into our minds. We have already stamped out poverty on a global scale; we have already eradicated disease across the seven continents; we have already ensured that each and every human being has the means to lead a peaceful and hunger-free life devoid of suffering and deprivation; now, all we need to do, is to make sure no fake children are hurt in the movies we watch. The general public is sheep-like and utterly devoid of any inherent ability to think or to judge on its own, and must therefore not be exposed to any such violent portrayals lest it succumb immediately to the temptation to act out what was just shown on screen. Join us in our fight against this terrible scourge, and let us together ban these horrendous portrayals of strong young women putting it all on the line for their beliefs. Sign the petition at your local censor's bureau, and remember: we are watching you.

(postscriptum: Movies are make-believe, and worrying about their potential impact on future society is counter-productive and a waste of time. Keep expression, and the mind, open and free.)

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